For Musicians, Producers and Audio Engineers Working in Any Genre Looking to Confidently Finish Mixes They Can Be Proud to Release...
How to Create Polished and Professional Mixes That Jump Out of the Speakers...Even if You Don't Have Expensive Equipment or a Fancy Studio...With a Step By Step Mixing System that Guarantees Release-Ready Mixes Every Time
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Hi, I'm Björgvin Benediktsson - Founder of Audio Issues
I'm the musician, mixing engineer and audio educator behind Audio Issues and I'm here to help you turn your amateur demos into professionally produced records you can be proud to release.
I'm the best-selling author of Step By Step Mixing: How to Create Great Mixes Using Only 5 Plug-ins and since 2009 I've helped thousands of musicians like yourself make a bigger impact with their music by teaching them the skills they need to confidently release their songs and succeed with their music skills.
Since 2006 I’ve written over 1,000 articles and tutorials on audio production, both on Audio Issues and for other audio publications such as MusicTech magazine, Audiotuts+, The Pro Audio Files, and Recording Revolution to name a few.
Learn from my 15+ years of experience in the industry and my hands-on training at the SAE Institute to get easy to use, practical production tips to get rid of your muddy demos and start mixing pro, radio-ready records that stand up to your favorite records.
Audio Issues Has Been Featured On:
I started Audio Issues back in 2009 as a way of remembering all of the audio engineering topics I was learning in school.
I was an amateur back then just like you, trying to remember all the jargon my professors threw at me.
I never realized that my materials would go on to help thousands of home studio musicians and mixing engineers all over the world.
My mixing techniques have helped countless real-life musicians and producers like you gain the confidence and skills to make professional mixes they can be proud of.
They've used their mixing skills to successfully release their own records and some have used their new-found mixing skills to get paying jobs from their home studios.
If you're a musician or engineer, struggling to create release-ready, finished mixes but it fees like you can't get them to sound anything other than thin, weak, or muddy, I can help.
The simple secret is: using a proven process and a solid system of mixing is the best way to get quality mixes every time.
- You don't need expensive equipment
- You don't need thousands of dollars of fancy plug-ins
You've got everything you need to make professional records in your DAW already...
But let me tell you, I've come a long way since I discovered these secrets...there was a time I had no idea how to mix my songs.
I used to suck at mixing. I wanted it to be fun and cool but it was just intimidating.
I didn't know any better so I kept randomly slapping plug-ins on every track, and shrugging my shoulders because I couldn't figure out how anything worked.
My mixes sounded boomy in the low-end, the drums sounded boxy and my overall mix balance was always either too harsh or too muddy.
Put simply, my mixes sounded unprofessional and amateurish.
The reason why was simple. I had no plan of action, and no concrete steps to make my mixes sound like I wanted.
My guitars kept getting in the way of the vocal and my bass guitar always clashed with my kick drum. I had no idea how to create separation between any of my instruments so every time I used an EQ I had no idea how much (or where!) I should boost or cut to make my mix sound better.
If EQ was hard, compression was "Expert Level Difficulty!"
Every time I tried to compress my drums and bass to make them tighter, I'd end up with a squashed drum sound and a weak low-end.
I was never really sure what all the buttons on the compressor did, and I certainly didn't know how to use them to create tight mixes like the ones I heard from expert engineers.
Balancing the dynamics of the song without squashing and over-compressing each instrument was foreign to me.
Sure, presets were handy to start with, but I usually got lost trying to tweak them to suit my mix.
If I finally got a good mix using EQ and compression, I'd derail the entire thing again when I added reverb and delay.
I'd end up with way too much reverb that made my mix weak and washed out. Then, when I'd return to the mix the next day I'd overcompensate for my mistakes and end up with a mix that sounded two-dimensional and flat.
I honestly didn't understand what to listen for in a mix so I kept randomly putting plug-ins on tracks, tweaking presets that didn't fit, and selecting inappropriate effects that weren't suitable for the song.
You probably share the same problems I used to have.
Once you're done recording, you have to make all those tracks fit together to sound like the song you hear in your head.
However, all you get is a muddy mix where the drums take over the bass in the low-end, the guitars sound thin and your vocals are buried underneath the instruments.
Because of that, you can't create a clean mix where you can hear all the instruments clearly.
Even worse, if you finally get a decent sound in the studio it'll still sound bad in your car.
No matter what you do, you can't get your mix to sound the same anywhere.
Let's not forget about the time it takes to mix a whole song. Even if you've gotten so good at mixing that your songs sound good across the board, you might still waste a lot of time tweaking the final mix instead of knowing when it's good enough to release.
I understand exactly what you're going through.
As you already know, I've been there.
Luckily for you, I've come a long way since then, Today my bandmates, clients and music friends compliment me on how clean and clear my mixes sound.
They love the fact that they can hear each instrument in the mix.
My kick drum doesn't clash with the bass guitar anymore. Instead, they work together like a well-oiled rhythm machine, keeping the mix clean but thick in the low-end.
Even the guitar player and the vocalist have stopped fighting about which instrument should be louder because they can hear themselves equally.
Today, when I add compression I know exactly how to add punch without squashing the sound because I can hear the compression working.
I'm not scared of tweaking the settings anymore. I know what buttons to push to make my mixes tight and loud. My drums pack a punch when I need them to hit hard, but they can also lay back if the genre demands it.
I've learned to compress each instrument so you can hear everything clearly without the tracks sounding lifeless because I understand the relationship between the threshold and the ratio, and more importantly, how the attack and release will shape your sounds.
Once I've balanced my mix with EQ and tightened it up with compression I now love experimenting with different reverbs and delays to create space and depth.
Instead of randomly selecting the wrong reverbs I now have a system in place that helps me choose the best way to add the right space to a mix.
Throughout the years I've amassed a huge bag of tricks for using reverb and delay to create depth in my mixes, without them ever feeling too washed out.
Lastly, I spent a lot of time experimenting with different saturation plug-ins to get the best results. Not every saturation plug-in fits with every track, so through trial and error I discovered when and where to use the right style of saturation to bring my mixes to the next level.
Put simply: I'm proud of the mixes I release today. I can clearly hear the improvements I've made throughout the years, but the best part is:
Now, musicians and bands love my mixes enough to pay for them, and better yet...my students love to learn from my methods so they can do it on their own without hiring a mixing engineer every time they want to record a song.
That's the secret: If you're smart, you learn to do it yourself. That way you save money because you don't need to hire anybody else. You'll already have the knowledge needed to crank out professional mixes. The knowledge that may even get you paying gigs as you show your mixes to other musicians.
If you want to get to that level, it's clear as day what you need to do to improve your mixes.
Newsflash: it's not buying another expensive plug-in (as much fun as they are to play with...)
Nope. It's learning how to use the tools you already have in a systematic way to create a great mix.
When you use a mixing system, you not only save money from all those plug-ins you won't need to buy, or the mixing engineer you don't need to hire, but you also save time by knowing exactly how to transform your demos into professional, quality mixes that jump out of your speakers.
When you know instinctively how to get rid of muddiness and a flabby low-end you'll crank out mixes much faster than if you were playing with a new plug-in every day.
You'll feel like a virtuoso musician that can jam with everybody in any genre, except, in this case, you'll be mixing those musicians together to make them sound amazing.
And with enough songs in your portfolio you'll start getting paid work from bands that like your mixes enough to hire you.
At that point, it pays to work fast. The better you understand how to finish your mixes, the faster you'll transform their rough recordings into polished mixes.
I don't tell you this just to get your hopes up. I tell you this because I know you can achieve this too.
It's exactly how I started getting paid, and there's no reason you can't do the same.
Even if audio isn't your main job right now you still need to know how to make good mixes, even if it's just in your spare time.
Throughout the years, after countless hours of trial and error, I finally know what I'm doing and it always comes back to having a system in place to get from start to finish.
No matter the genre you're working with, and even if you only have stock plug-ins in your DAW, you can use the same mixing system to create professional records that rival the sound of your favorite records.
Because I've dedicated myself to helping musicians and engineers like yourself how to make a bigger impact with their music, I want to teach you everything I've learned since the beginning.
That way you can avoid my mistakes AND use my shortcuts to get impressive mixes you can be proud to release.
If you want to turn on the radio or play a song on Spotify and say, "hey listen, I mixed that!" then it's time for you to stop chasing the legendary pot of plug-ins at the end of the rainbow and learn a workflow that teaches you to create great sounding mixes using the plug-ins you already have.
You don't need to jump from one Youtube trick to another, waste time with trolls on audio forums or buy more gear to make your next mix sound fantastic.
I've already spent the time learning everything you need to know so I can give you the shortcuts you need to make better mixes in less time.
It's time for you to learn my simple formula for creating powerful and punchy mixes so you can be confident to finish your mixes and proud to release your songs.
Introducing: Mix Finisher Formula - The Only Mixing System You Need for Radio-Ready Records
Mix Finisher Formula is designed to take you by the hand and show you the simple framework and system you can use to confidently finish your mixes proudly release your records...every time you work on a song.
No missing steps, no confusion. Just a quick and effective blueprint to get from a rough recording to a finished mix.
Here's What You Get Inside the 6-Week Mix Finisher Formula Course:
Module #0 - Welcome!
We start off with a friendly welcome from me thanking you for joining and showing you what you can expect from the next t six weeks as you work your way through the course.
Then you'll have an opportunity to submit an initial mix you're working on as I'd love to hear where you're at in your mixing journey.
At the end of the course you'll also have an opportunity to send in an updated (or brand-new) mix using the techniques you've learned so that we can hear the progress that you've made.
Module #1: Pre-Mixing Mindset
As soon as you enroll you'll get access to the first module where you learn what to keep in mind as you get closer to the mixing stage, and when to know that your production is ready for mixing, and what to do before you start mixing.
- Video #1 - Your Pre-Mixing Production Checklist
- Video #2 - Pitch Perfect Production Processes
- Video #3 - Editing and Comping Masterclass for Easier Mixing
Module #2: Mix Template Formula
In week two you’ll learn how to set up and create a mix template that works for you and your productions. I’ll walk you through mine and give you ideas on why and how to use one to get better mixes in less time.
- Video #1 - How and Why to Use a Mixing Template
- Video #2 - What Mix Bus Plug-ins You Should Use Every Time
- Video #3 - Drum Mixing Template to Get Punchy and Powerful Drums With Just a Few Clicks
- Video #4 - Instrument and Vocal Mixing Templates to Easily Get your Instruments to Stand Out
- Video #5 - Effects and Parallel Processing Mixing Templates to Add Interest and Professional Power to Your Mix Immediately
Module #3: Mix Finisher Philosophy
In week three you'll learn everything you need to know about prepping your session and getting started with your mix.
- Video #1 - How to Prep Your Mix to Start Off on the Right Track
- Video #2 - What to Keep in Mind When You’re Naming Your Tracks
- Video #3 - How to Check Your Tracks for the Strongest Phase Alignment
- Video #4 - Your Gain Staging Gameplan so You Don't Accidentally Overcook Your Mix
- Video #5 - Three Simple Approaches to Starting Your Mix Depending on Your Style
- Video #6 - How to Get a Rough Static Mix With No Plug-ins
Module #4 - The 5 Plug-in Framework
Week four is massive! The 5 Plug-in Framework is my brand-new and expanded training module based on my flagship course, Mixing With 5 Plug-ins.
Those are the plug-ins that every professional engineer uses to get those great mixes that you hear on the radio.
If you want to create professional mixes that are good enough to charge for, you MUST know how to use these processors.
With a total of 26 videos in this module alone, you'll learn everything you need to know about EQ, compression, reverb, delay, and saturation, but you'll also get free access to the Mixing With 5 Plug-ins course as a bonus so you can follow the process from beginning to end in a real-world mixing session.
Section #1 - Mixing With EQ
EQ makes all your instruments fit together in the frequency spectrum, clears up the low-mid muddiness, and gets your mix to sparkle and in this section, you'll learn how to separate your instruments with EQ.
- How to use filters to clean up your low-end, fix your muddy mixes, and get rid of harsh high-end.
- The 3 primary functions of EQ.
- The time-saving EQ method that helps you mix faster
- How to use EQ to bring out the best of the drums (whether you're mixing acoustic drums or programmed beats), bass, guitars, keyboards and vocals, and other instruments.
- How to get rid of muddiness, reduce boom and add presence and sparkle to a mix using JUST EQ
- The two-step process to use low-pass filters to tighten up guitars while making them cut through the mix
- The underused frequency area where you can bring out the character of the keyboards without masking other aspects of the mix
- How to EQ a vocal-heavy song so that the backup vocals don't overpower the lead vocals
- The most important, but overlooked aspect of using EQ to rebalance your mix to hear the separation between all the instruments in your song
- How to keep the mid-range in check so you don't get boxy kick drums, honky guitars, muddy bass or nasally vocals. Take the guesswork out of EQ and follow along so you know exactly when and why you should cut and boost each instrument.
Section #2 - Mixing With Compression
Compression tightens up the sound of your mix, adds punch to your instruments, and keeps your dynamics steady and in this section, I'll teach you how to hear compression and use it effectively to create punch and power.
- How to use every button on your compressor to effectively add punch and power to your mix.
- How to use the ratio to squeeze your drums and make them thicker, punchier and more powerful
- The two most important knobs on your compressor and how they affect the entire sound of your tracks. Working these knobs wrong will make your instruments sound dull and lifeless
- How to use compression effectively (and knowing why you should be using it in the first place)
- The sneaky way to use presets to speed up your mixing (while still tweaking them for the best results)
- How to use two different compressors in serial to get the best of both worlds that are better than the sum of their parts. This is an incredible trick for big, in-your-face vocals
- How to know which compressor-style and emulation to use on each instrument. If you've wondered about the difference between VCA, FET, or OPTO you'll know EXACTLY how each one sounds after this video
- The easy way to use parallel compression as an insert instead of a send to make your punchy parallel compression even easier
- How to create a compression system to make every compression decision easier on every mix.
- How to apply compression to your tracks, your submixes, your master bus, and in parallel for the best results.
- How to use parallel compression to add punch, thickness, and weight to your drums.
- How to approach multi-band compression.
- How to rebalance your EQ after compression to keep everything going smoothly. Compression alters the volume and loudness of each track so careful rebalancing is key to keeping your song consistent every time you add a new processor to the mix.
Section #3 - Mixing With Reverb and Delay
Reverb adds space around your tracks so that it sound three-dimensional and big instead of flat and boring.
Delay adds depth, effects, and excitement to your song without cluttering up the track and making it sound washed out.
In this section, I'll share a ton of tricks on how you can use reverb and delay to add space and depth to your mixes.
- Exactly what all the crazy settings on your reverbs do and how you can use them to add space and depth to your tracks
- How to know which room mode to use, and how they affect the feel of your mix
- The easy way to add an all-around reverb to instantly create space in your mix
- What you should NEVER add reverb to in a mix. Adding too much reverb to everything will result in a washed-out mix. Make sure you keep these few things dry.
- 7 ways to find the right reverb for your mix, whatever genre you're working in.
- How to use short and weird reverb settings to make bigger snares.
- The difference between pre and post-fader sends when using reverbs.
- The importance of correctly routing your drums for a more interesting drum sound
- How to use sends to place your instruments in the mix according to how much impact you want them to have
- Do you make these mistakes when creating separation between electric and acoustic guitars? Learn how to separate acoustic and electric guitars with different reverb based on what they're playing
- How to use modulated stereo delays to keyboards. This subtle trick will add depth to your keyboards without cluttering up the rest of the mix
- When to use delays instead of reverbs when you want to add depth without adding too much space.
- How to use delays on guitar solos, rhythm guitars, lead vocals, drums, and percussion, as well as organs, synths, and keyboards.
- How to use delays to create stereo widening to create a powerful stereo image.
- How to place backup vocals behind the lead using reverb and delay.
- The incredibly important aspect of how and why to EQ your reverbs for a cleaner mix.
- How to blend separate reverbs together in a mix.
- When to use mono instead of stereo delays.
- How to use the 3-Verb technique to make it easy to add space to your tracks.
Section #4 - Mixing With Saturation
Saturation is your secret sweetener to bring out cool harmonic content in your instruments. It'll add warmth and thickness without adding boominess to your mix. In this section, you'll learn how to add warmth, thickness, and special secret sauce to your mixes to make them stand out.
- The best way to use tape saturation to make your mixes smoother and warm.
- Your step-by-step approach to knowing whether to use saturation on a track.
- How to give your kick drum more low-end more thickness and weight.
- How to use multi-band saturation to give your snare drum more bite to cut through a busy mix.
- Using parallel saturation to create subtle thickness and warmth.
- How to add warm tape emulation to bring out the acoustic guitars in your mix.
- How to use saturation to dirty up your keyboard patch to make it more interesting.
- Your easy process to find which saturation plug-in is the best to use to make your tracks stand out.
- How to apply saturation on drums, bass, guitars, keyboards, synths, and vocals.
- How to use saturation on your submixes and busses.
- The importance of not going overboard with your saturation plug-ins.
Section #5 - Automation and Making Your Mix Translate
- How to use accurate monitoring to make your mixes translate to every speaker.
- The importance of slight automation tweaks to bring out the best in each track.
- How to check your mixes on multiple systems and what to look out for so that they translate everywhere. I walk you through my process of checking the final mix on three different monitoring systems and the notes I take to make my mix sound the same on each one.
- How to fix mix translation issues when your mix sounds like it has a blanket over it.
- A simple way to bring the snare back into the mix when it sounds glued on top.
- How to use a shelving EQ to get rid of vocal muddiness.
- How to make your keyboards sound smooth by eliminating honkiness and EQ'ing them to fit better in the context of the mix.
- How to make your mixes sound exciting without excessive tweaks.
- What to think about when you can only mix on headphones.
- How to know when to quit and call your mix FINISHED!
Ken Bauer, Mixing Engineer
"I found this course to be detailed, relevant, and very practical - and quite a bit of fun. Specifically, I found each of the feedback videos comprehensive and balanced, each of the tutorial videos were engaging and detailed, yet it was not "preachy" as "this is the only way to" I learned the difference between EQ'ing for balance and cohesion and EQ'ing for color and dimension. The visual component of seeing the specific instrument's frequency range really helps nail problem areas more efficiently. Also, this course has changed (and simplified) the way I set up a session. The idea is great. You explain a little bit of why you use the plugin and what the overall goal is. Then you do it"live and then explain what you have done. I realized that all you need is basically only these 5 plug-ins."
Module #5 - Mix Translation Formula
In week five, once you’ve set up your mix template, prepped your mix and learned the five plug-in framework, you'll follow my step by step mixing workflow to transform your rough recordings into professionally produced records. You’ll also learn to use reference tracks and get my formula for making your mixes translate to every speaker system.
- Video #1 - Your Step By Step Mixing Workflow
- Video #2 - Three Ways to Use a Reference Track
- Video #3 - Step By Step Mix Translation Formula
Module #6 - Mix Walkthrough Vault
In week six we'll finish up the course with the Mix Walkthrough Vault. I show you tips and tricks throughout the course using multiple different genres from folk and R'n'B to hard rock and jazz. But you'll also get access to the Mix Walkthrough Vault where I walk you through five real-world mixes, showing you exactly what plug-ins I used to get to a finished record.
- Video #1 - Mixing Alternative rock
- Video #2 - Mixing Folk
- Video #3 - Mixing Singer/Songwriter Pop
- Video #4 - Mixing Country blues
- Video #5 - Mixing Bossanova (this one is my favorite and the most complex)
Take a Tour Inside the Course
Create Professional Mixes You Can Be Confident to Finish and Proud to Release
You don't have to pay a mixing engineer thousands of dollars to mix your records anymore. You can get the same pro sound by doing it yourself, at a fraction of the cost.
Mix Finisher Formula will teach you to transform a rough recording into a finished, professional mix using my proven mix workflow and production framework I've taught thousands of musicians and engineers in. the last decade, using plug-ins you'll already find in your DAW.
Once you're finished with the course, you'll know exactly how to crank out radio-ready mixes so you can start releasing your music regularly.
Alternatively, you can confidently charge for your mixing services because you know your skills are good enough to stand up to the professional releases your clients are comparing their songs to.
This course is for you if:
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You’re ready to finally create mixes that stand up to the professional releases you hear on the radio or streaming services.
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You want to stop tweaking your mixes and start following a mixing system that helps you confidently create great mixes using the five most important processors every professional engineer uses to get great results.
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You want to finish the music you make in your home studio, or start getting more clients to hire you to mix their own songs.
Simply put, if you're ready to master your mixing skills so you can:
- Create separation between your instruments
- Know exactly how and when to use compression
- Add tasteful depth and space with reverb, delay and effects;
- And master the different styles of saturation, parallel processing and other advanced techniques to make your music sound like the professional records you love...
Mix Finisher Formula is for you.
Learn the Formula for Finishing Your Mixes
Frequently Asked Questions
Do I Need Specific Plug-ins or a Specific DAW?
How much time does it take?
But I don't have a fancy studio...?
What if I put all this effort in and my music still sucks?
Is this for beginners or advanced engineers?
I only do [insert random music genre here]. Will this help me?
"But music is just a hobby to me, why should I care about mixing?"
Do you have any big-name credits that you've worked with?
I don't have any songs to mix. How will this help?
How is the course delivered?
Can't I just learn this on Youtube?
"But I'm just a live sound guy...how will this help?"
Free Bonuses Valued at $445 When You Buy Today
Bonus #1 - Mixing With 5 Plug-ins Video Course ($347 Value)
The previous Audio Issues flagship course is included, where I walk you through the Five Plug-in Framework I’ve taught thousands of students throughout the years. In this course, I start with a rough multi-track recording, and we end with a finished mix, using only EQ, compression, reverb, delay and saturation. In Mix Finisher Formula I go even deeper, but this course goes from start to finish on a real-life session
As soon as you sign up. toMix Finisher Formula you'll also have lifetime access to MW5P. All 6 Course Modules on mixing with Volume & Panning, EQ, Compression, Reverb, Delay, Saturation and Mix Translation. All modules are delivered via video with in-depth written content as well..
Bonus #2: Parallel Processing Masterclass:
How To Use One Single Mix Technique to Add That Final 10% Your Mixes are Missing ($49 Value)
- Make an explosive snare with parallel saturation
Bonus #3 - Advanced Mixing Techniques Mix Walkthrough ($49 Value)
What Are People Saying About My Training?
Bob Gemmell, Singer/Songwriter, California
"My new album Parts and Labor just went up on Spotify, etc. and the courses are what pulled it over the finish line. Rather than attempt to learn everything a professional engineer might know, I purchased the course from Audio Issues. It’s basic, ground-up instruction on going from zero to a quality mix in the fewest number of steps. Since I had the audio tracks recorded already, I substituted my tracks for the audio that is provided in the curriculum. This was very effective, in that I was more vested in the learning process. I turned it from a two-step learning process (take class, apply what you learned) into one, applying the knowledge in real-time. There is very little in this world more soul-satisfying than completing this long process with something you can feel proud of – something that is in the world forever.”
Kjell-Vidar Teig, Home Studio Rock Musician, Sweden
"I was a total rookie a couple of years ago and I found your forum online. I learned a lot from your followers in there, and also by you. I've taken the Mixing With 5 Plug-ins course, read a lot of different stuff you have around, and also did your online 1-on-1 lessons which really made a huge difference.
Talking to you in person and getting pinpointed tips was really helpful. When we first met I had already made one album which was... kinda ok, but I just knew that I needed to learn more.
My final album would never have been the same without you"
Andika Wilson, Producer
"Thanks a lot, Bjorgvin Benediktsson.... Kindly allow me to over-estimate your importance in the growth of my musical career from an amateur into a pro... Your information has really molded my production skills into what my clients today call good music... Thanks a lot and keep up the good work."
Dan Comerchero, Founder of The Pro Audio Files
"Bjorgvin is an expert at breaking down complicated subject matter with language and detail that readers of all skill levels will understand...jam-packed with useful techniques, tips, and strategies from which beginner to advanced audio professionals will surely benefit."
Michael Schu, Home Studio Musician
"I’ve tried to follow all your advice and tips throughout the whole recording and mixing process. Without your support I would have never dared to publish songs. I’ve gained much more confidence in my audio skills by attending your courses, reading your books, watching your videos. Thanks a lot!!!"
Chris Johnson, Musician/Songwriter
Being a musician/songwriter, I’ve learned a lot over the years. I can honestly say... what I have learned from you so far has GREATLY increased my mastering abilities, as well as the quality of my recordings!
Mark Rousell, Engineer/Musician
As a recent student of yours, I also wanted to thank you for the content. You have a knack at getting information across which has allowed me to break down barriers. Seeing some of your 'unconventional' EQ curves has provided me the confidence to start trusting my ears - not the visualizer. I'm now very comfortable employing the strategy that there is no actual convention. Your approach to space and depth has also really helped me understand how to approach this area of the mix...This philosophy has been the most freeing of them all. I have subscribed to other online courses, and watched many, many hours of YouTube content; but nothing has unwrapped the key to the puzzle in the same way you've been able to...my mixes have improved beyond all doubt. Most importantly, my 'bigger picture' perspective towards the process has shifted towards 'feeling' the whole song instead of getting caught up on the micro-details. I always knew this is what was required, but I simply didn't have a clear direction on how to achieve it. You have provided that in abundance. Consider me a very happy customer.
Wyn Evans, Home Studio Mixer
"Overall, I really enjoyed the course. I think for me the most valuable thing was seeing your screen and watching your thought process visually. I have read mixing textbooks in the past and the information is simply too dense to be all that useful. In particular, the "Mixing with no plug-ins" video was extremely helpful. I realized that many of my major mixing woes were caused by poor organization and skipping over fundamentals. I've been mixing for a while as a hobby and in that time have picked up many bad habits, and this course definitely helped me re-learn the habits that make for better mixes. I really enjoyed the course. I personally didn't really want to use the song that you were mixing and instead opted for applying the techniques I learned from the videos to my own mix. I would certainly recommend this course to anyone who is starting out on their mixing journey as well as folks like me who have been mixing for a while but haven't learned good fundamentals. I am very satisfied with my purchase. Thanks so much for doing what you do, Björgvin!""
365-Day 100% Risk-Free Satisfaction Guaranteed
As with all of the Audio Issues products, Master Your Mixes comes with a 100% risk-free money-back guarantee.
I promise that following the workflow inside Mix Finisher Formulayou'll learn to create punchy and powerful records. If Mix Finisher Formula doesn't immediately help you transform your recordings into professionally mixed records just as loud as the records you hear on the radio, simply email [email protected] to get a full refund.
You can even take the course for a spin before you make up your mind. You can try all the tricks and keep the training for a full year before deciding whether you like them or not. If at any point you decide that my training didn't skyrocket the quality of your productions, simply email me for a full refund, no questions asked or strings attached!
Your fans will love the new professional sounds you're releasing, and you'll impress every new client that comes to your studio because you'll easily show them how good you can make them sound.
"I take my guarantee very seriously. I am not interested in keeping your money if you do not get any value from what I'm creating for you. So if you’re not happy, I’m not happy."
Mix Finisher Formula Closes In:
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Imagine: In Only a Few Hours You'll Learn Mixing Techniques that Took Me Over a Decade to Learn...
Instead of working long hours behind a mixing board or taking out student loans and going to audio school just to waste the short time you have in between your other responsibilities feeling frustrated with your mixes, you can gain my expert knowledge from the comfort of your own home in a fraction of the time.
You don't need to worry about muddy mixes anymore. You don't need to be scared about whether you're squashing your mixes with too much compression. You don't need to feel frustrated about your washed out and lifeless mixes that you're too insecure about showing to your friends.
You can learn everything you need to know to create quality, professional mixes that jump out of your speakers with a simple mixing formula that makes your mixes that translate to every speaker system.
The formula that helps you create records that you're proud to play in front of everybody, anywhere is just a few clicks away.
All you gotta do is pick your package below. Once you finish the checkout process you'll be emailed your log-in information to access the members' area. At that point, the only thing left to do is to start making better mixes than you've ever made!
Mix Finisher Formula
4 Monthly Payments of $87
6-Week In-Depth Mixing System + Bonuses
Become a Mix Finisher Now!Mix Finisher Formula + Master Your Mixes
4 Monthly Payments of $107
Learn Mixing AND Mastering at Once
Join Mix Finisher Formula and Master Your Mixes