Discover the Blasphemous "Mixstering" Method the Pros Don't Want You to Use
If Youâve Ever ThoughtâŠ
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âShould I just throw a limiter on this?â
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âWhy does my mix sound worse when I try to make it louder?â
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âWhy does it sound finished in my session but not anywhere else?â
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âAm I mastering this... or am I just messing it up more creatively?â
âŠthen youâre in the right place.
Youâve finished your mix.
Well... mostly.
It sounds good. Better than yesterday. Maybe even better than the version you swore was AwesomeSongFinalFinalFINAL!.WAV two days ago...
But now you hit that annoying stage where the mix is close, but it still doesnât quite sound like a finished record.
- Itâs not hitting the way commercial records hit.
- Itâs not polished enough.
- It doesnât quite have that âyep, this is ready to leave the nestâ feeling.
And every time you touch the mix bus, thereâs a very real chance you make it worse instead of better.
And now youâre sitting there wondering:
âDo I need mastering?â
âShould I throw a limiter on it and hope for the best?â
âAm I about to completely ruin this with one plugin move too many?â
Thatâs where Mixstering comes in.
Thereâs a huge gap between a mix that sounds âpretty goodâ and a mix that sounds finished enough to release, share, or feel genuinely proud of.
That final stage is where a lot of musicians lose momentum.
They either:
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overthink it
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overprocess it
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keep tweaking forever
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or give up and leave the song sitting on a hard drive next to 46 other âalmost doneâ mixes
Mixstering helps you close that gap.
Not by making you obsess harder.
By giving you a roadmap.
Introducing: Mixstering
The Mix-Bus Processing Technique that Makes Things Sound Pro
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In this one-hour masterclass, Iâll show you exactly how I add light mastering-style processing to a mix bus so a song sounds louder, cleaner, tighter, and more release-ready... without smashing the life out of it.
And yes, weâre doing this a little blasphemously.
But in the real world, sometimes you want to hear what your mix sounds like finished. Sometimes you want to share it, upload it, release it as a single, or send it to friends and collaborators without it sounding quiet and underwhelming next to everything else.
This class shows you how to do that the smart way.
What You Get
- 1-Hour Mixstering Mix Bus Masterclass: A practical training that walks you through exactly how to finalize your mix with light mastering-style processing inside your mix session.
- Bonus: Mix Bus Mastering Worksheet - Youâll also get the companion worksheet so you can follow the process step by step on your own mixes without trying to remember every move from memory three weeks later.
The worksheet helps you:
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Organize your workflow
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Make better decisions faster
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Track what youâre hearing
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Stay focused
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And avoid random plugin chaos
Think of it as your cheat sheet for getting to the finish line without faceplanting at the limiter.
Yes! Show Me How To Mix My AI MusicWhat Youâll Learn inside Mixstering
This is not one of those vague, fluffy lessons where somebody says âuse subtle EQ and tasteful compressionâ and then hopes you'll just "figure it out...and oh by the way use your ears..."
This is a practical, real-world walkthrough of how to finalize your mix inside the mix session.
Inside the class, youâll learn:
How to know when your mix is actually ready
Before you do anything on the mix bus, the mix itself needs to hold up.
Iâll show you how to tell whether your mix is really finished or whether youâre trying to master your way out of a mixing problem.
How to use EQ on the mix bus
Youâll see how to clean up unnecessary low end, tighten the stereo image, and add a little space and shine without making the whole mix harsh or brittle.
How to use multiband compression gently
Learn how to glue the mix together without choking the life out of it.
Iâll walk you through a simple setup that helps tighten the low end, smooth the mids, and keep the top end under control.
How to use a limiter without destroying the song
This is where a lot of people go full supervillain.
Iâll show you how to add loudness carefully, keep your dynamics intact, and avoid turning your mix into a flattened, crunchy mess.
How to use meters without becoming obsessed with them
Weâll cover what to look for in your frequency balance, dynamics, and loudness so you can make better decisions without staring at the screen like itâs going to solve the mix for you.
How to fix problems at the source
If one track is causing the issue, donât slap a band-aid on the whole mix bus.
Go fix the actual problem.
This class shows you how to catch those issues and make smarter calls.
How to know when to stop
This one might be the most important part.
Because the goal is not to keep tweaking forever.
The goal is to finish the song with confidence before you wander into the swamp of diminishing returns.
Who This Is For
This masterclass is for home studio musicians, producers, and self-recording artists who:
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mix their own music
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want their songs to sound more polished and finished
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feel unsure about mix bus processing, loudness, and final output
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want a simple process instead of a pile of conflicting advice
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are tired of second-guessing every move at the finish line
What Makes This Different?
A lot of mix bus and mastering advice falls into two categories:
- One, itâs way too technical and gives you a headache before it gives you results.
- Or two, itâs just somebody showing off their favorite plugin chain like they found the Infinity Stones of audio.
This masterclass is different because it focuses on decision-making.
Instead of showing you that you need a million different plug-ins, a perfect room, or a high-end mastering studio, Mixstering helps you:
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hear what matters
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make a few smart moves
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avoid overprocessing
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finish the song
Thatâs it.
Imagine This
You finish a mix.
Instead of randomly throwing plugins on the stereo bus and praying to the audio gods, you open up this masterclass and run the process.
- You clean up the low end.
- You add a little width.
- You tighten the dynamics.
- You increase loudness carefully.
- You catch a harsh spot and fix it on the actual track.
- You compare before and after.
And now the mix sounds clearer, stronger, smoother, and more finished.
Not overhyped with too much high-end that cuts your ears when you listen with earbuds. Or overcooked with saturation because you got a little carried away.
It's just....done.
That's what Mixstering will help you achive.
The Iron-Clad Audio Issues 365-Day Money-Back Guarantee

If this program doesn't instantly improve your AI tracks, simply email support@audio-issues.com for a full refund, no questions asked nor strings attached!
There is a reason my students have told me that my training has "instantly improved their mixes."Â
You can even try out the training before you make up your mind. You can try all the tricks for a full year before deciding whether you like it. If at any point you decide that my training didn't skyrocket the quality of your productions, simply email support@audio-issues.com for a full refund, no questions asked nor strings attached!
I take my guarantee very seriously. I am not interested in keeping your money if you donât learn anything from what Iâm creating for you.
So if youâre not happy, Iâm not happy. Simple as that.
Here's to improving your mixes!
Is this a mastering course?
Is this beginner-friendly?
Do I need expensive plugins?
Is this about rebuilding the song from scratch?
Whatâs included?
Hi there đ€,
Iâm Björgvin Benediktsson.
Iâm the author of the #1 Amazon best-seller, Step By Step Mixing: How to Create Great Mixes Using Only 5 Plug-ins, the creator of the Audio Issues EQ plug-in, and the founder of Audio Issues.Â
Iâm on a mission to help musicians overcome their imposter syndrome, create great-sounding music, and release their work. Since 2009, Iâve been helping people like you turn your rough recordings into finished records you can be proud to release.Â
Iâve worked as a live sound engineer, a broadcast recording engineer, a professional touring musician, a freelance mixing and mastering engineer, and an audio educator in both Iceland and the United States.
Thousands of home studio musicians and producers like yourself have learned from my practical, no-fluff teaching style, and my work has been featured in publications such as MusicTech magazine, Audiotuts+, The Pro Audio Files, and Recording Revolution, to name a few.
Iâm excited youâre here and canât wait to help you make a bigger impact with your music.
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